In support of the highly anticipated release of Barking, Underworld has just announced 3 dates in the US including New York, Los Angeles and San Francisco in late October. Featuring the full production show, Underworld visits the legendary Roseland Theater in the Big Apple on 10/27, headlines the Live 105 Subsonic Spookfest in the Bay Area on 10/30 and a special 10/31 Halloween extravaganza at The Hard Haunted Mansion at The Shrine Expo Hall in LA. Please tune in for more dates and info next week. Barking in stores everywhere September 14th on Om Records.
US TOUR DATES
Mon 10/25/10 – Washington, DC @ 9:30 Club
Wed 10/26/10 – New York, NY @ Jimmy Fallon
Wed 10/27/10 – New York, NY @ Roseland Ballroom – Buy Tickets
Fri 10/29/10 – San Francisco, CA @ Cow Palace – Buy Tickets
Sat 10/30/10 – San Diego, CA @ 4th And B – Buy Tickets
DJSounds caught up with DVJ, Sander Kleinenberg, at Dance Valley in Holland, where this time he had his own “This Is” arena after playing at the festival for the first time twelve years ago.
He talked about his new autobiographical album which features a surprise female superstar guest, as well as Jamie Cullum, and many more.
Sander also enthused about his new website, www.dvjclips.com, which he has created with Mark Pistoire, where you can download the clips and tracks they’ve created; as well as how the new CDJ-2000 sits nicely with his normal DVJ-1000 and SVM-1000 set-up.
Hundreds of excited fans and guests gathered in Moorea Beach Club at Mandalay Bay on Saturday night to see Black Eyed Peas frontman and co-founder, will.i.am perform a celebratory DJ set to jump start the Labor Day Weekend. Upon arrival, will.i.am, looking dapper in a white jacket (with matching white sunglasses), jeans, and black high-tops, entered Moorea Beach Club and immediately headed to the Living Room, an exclusive, VIP section that overlooks the venue. The famous rapper and producer was all smiles as he waved at ecstatic fans, each one trying to get a glimpse of the mega star. Also making an appearance was fellow group member apl.de.ap. The two posed for a few photos alongside Manager Polo Molino and then sat down to relax while enjoying delicious and healthy fruit and vegetable tray assortments. After hanging out with friends, will.i.am checked out Moorea Beach Club’s Grand Villa, a 500 square-foot haven that boasts cushioned chairs for ten guests, a fully-stocked refrigerator and wet bar, outdoor showers, ceiling fan, private restroom and 50″ LCD flat screen television. In preparation of his anticipated jam session, will.i.am received an incredible view of the full house that was awaiting his arrival on stage. He soon descended into the crowd and headed over to the DJ booth, specially constructed for his appearance, and began hyping the venue with some serious smash hits that included Usher’s “OMG” (which features will.i.am) and other Black Eyed Peas favorites. An already lively crowd immediately burst into cheer the moment will.i.am got on the mic and welcomed his fans by saying, “Did ya’ll come to party?!” and “Vegas! Vegas! Vegas!” Although the music contributed to the life of the party, having a much-desired will.i.am spinning the beats made the night unforgettable for everyone inside Moorea Beach Club as they celebrated his special Labor Day Weekend appearance. Fans danced, sang, and partied all night long as will.i.am continued to entertain with hits and mash-ups from various genres. The energy at Moorea Beach Club reached a pivotal high when will.i.am, along with apl.de.ap, played and sang “Rock Your Body,” a Black Eyed Peas original. After the high-energy two hour set came to an end, fans cheered and clapped as will.i.am exited Moorea Beach Club after delivering what can only be described as an unforgettable night of explosive music. After exciting his fans all night, will.i.am retired to his secluded Mandalay Bay suite where he relaxed and took in gorgeous views of the Las Vegas Strip.
August 30, 2010 | 4:09 pm
Tickets never went on sale and promotions were never staged, but a planned headlining concert by electronic artist Tiësto is the center of a seven-figure civil suit filed against the city of Los Angeles on Friday. Local dance promoter Insomniac Inc. claims the city breached its contract when it canceled what would have been an Oct. 30 concert by the well-known trance artist in the West Hall of the Los Angeles Convention Center.
On Monday, the mayor’s office referred requests for comments to the convention center, and a spokeswoman for the facility said no statement or comment would be forthcoming. In its filing, Insomniac – the company that also staged the now-controversial two-day Electric Daisy Carnival in and around L.A. Memorial Coliseum in late June — claims that the city did not have proper cause to terminate the concert, for which tickets were to go on sale Aug. 17.
Insomniac writes in its complaint that the city cited the rampant use of the drug Ecstasy at Electric Daisy, as well as the death of a teenage girl who attended the concert and died of a suspected overdose, as its reasons for calling off the Tiësto appearance. In its claims for damages, Insomniac cited more than a dozen recent deaths at or after major music or sporting events, including that of a 27-year-old man who died after being punched at a Los Angeles Angels of Anaheim game, essentially arguing that the Tiësto appearance was unfairly singled out because of public perceptions of dance and electronic rave-like concerts.
“Events like [Electric Daisy] and the Tiësto concert are held at legal venues and are planned in conjunction with law enforcement and medical personnel,” reads the claim. “[The Convention Center’s] unilateral termination of the contract will send the wrong message by suppressing the popularization of electronic music, encouraging it to revert back to its underground, unsafe beginnings.”
Insomniac is asking for damages of at least $1,015,180, citing a loss of profit of $436,250 and an estimated production cost of $668,750. Court documents state that Tiësto was guaranteed $250,000 for the single-night event. The artist’s management, Complete Control, did not respond to requests for comment.
Insomniac, which promoted five sold-out Tiësto shows in and around Los Angeles in 2008 and 2009, noted that its planned convention center event was no different from Sunday’s concert at the Hollywood Bowl, which featured dance act the Chemical Brothers.
“I can’t help but draw comparisons to the ’80s movie classic ‘Footloose,’ where dancing and rock music were banned,” Insomniac founder Pasquale Rotella is quoted in a statement. The company believed as recently as Aug. 4 that the Tiësto concert was a go, but less than two weeks later, the city returned Insomniac’s second rental payment of $14,400.
“If this breach is allowed to stand, Insomniac will be known as a promoter that cannot follow through on its commitments,” reads the filing. “As a result, artists of Tiësto’s caliber may henceforth by unwilling to contract with Insomniac.”
A copy of Insomniac’s rental agreement with the convention center notes that the city may terminate the contract for the reason of “good cause.” Should it do so, reads the contract, the “tenant agrees to waive and forgo any and all claims for damages against City by reason of such termination… Tenant shall have no recourse of any kind against city.”
The dance community has faced strict scrutiny in Los Angeles since the Electric Daisy Carnival, which drew an estimated crowd of 80,000 to 100,000 people per day, and led to more than 100 hospitalizations. Two days after the event, 15-year-old Sasha Rodriguez died of suspected drug-related causes.
The Coliseum Commission then imposed a temporary ban on rave contracts, although three events scheduled for the remainder of 2010 were granted approval to continue. The commission — the joint state, county and city panel that oversees the venue — has, however, imposed new restrictions on the promoters of dance events.
Going forward, promoters must enforce a strict age limit of 18 by checking identification, hire a team of emergency-room doctors to work on-site and warn rave-goers about the dangers of the illegal drug Ecstasy. The July 17 electronic-focused Hard L.A., which was to feature appearances by M.I.A. and Die Antwoord, among others, was canceled, and promoter Gary Richards noted that the city forced “a lot of extra stipulations and requirements” that “resulted in unforeseen costs to the event.”
A heavily policed Aug. 7 festival, Hard Summer, went off as planned, and resulted in only four arrests. An Aug. 21 dance concert at the L.A. Sports Arena didn’t fare as well, resulting in more than 80 arrests and three hospitalizations.
– Todd Martens